Cinephilia & Beyond has some excellent page scans of Harrison Ford’s shooting script of Raiders of the Lost Ark. Ford’s handwritten script analysis notes are evidence of an actor seriously engaged in dissection of the screenwriter’s work — a great window into his process.
Permanent link to this article: https://www.screenplayology.com/2013/02/16/harrison-fords-raiders-script/
After 50 years at the top of Sight & Sound‘s list of all-time greatest films, Citizen Kane has dropped to #2 behind Alfred Hitchcock’s Vertigo. Just for fun I ask, which is the better screenplay?
Permanent link to this article: https://www.screenplayology.com/2012/08/01/vertigo-ousts-kane-but-which-is-the-better-screenplay/
Today I stumbled upon a Wall Street Journal article from two days ago that began with the following sentence: “It seems like everyone is working on a screenplay these days, and if they’re not working on a screenplay, then they’re working on an idea for a tech startup.” I was disappointed to keep reading and …
Permanent link to this article: https://www.screenplayology.com/2012/07/26/screenplay-as-tech-startup/
Last August, I blogged about a paper I presented to the University Film and Video Association called, “Teaching the Digital Screenplay and Its Role in Conception and Execution.” In that paper I began to use the term “Screenwriting 2.0” to refer to the application of Web 2.0 principles and processes to the craft of screenwriting.
Permanent link to this article: https://www.screenplayology.com/2012/07/25/more-screenwriting-2-0/
Unforgiven, originally written by David Webb Peoples in 1976 as The William Munny Killings, effectively flips the moral conventions of the 1950s era classical Western genre (typified by such screenplays as High Noon), by asking the audience to invest in an outlaw’s efforts against an unsympathetic lawman.
Permanent link to this article: https://www.screenplayology.com/2011/09/12/review-unforgiven-unspecified-shooting-script-1992/
Butch Cassidy and the Sundance Kid is William Goldman’s first original screenplay. A Western script written in the late-1960s, its style and format nevertheless has more in common with the continuities of the silent era than with other screenplays available from Goldman’s period. This may not be coincidence.
Permanent link to this article: https://www.screenplayology.com/2011/09/01/review-butch-cassidy-and-the-sundance-kid-shooting-script-71568/
Over at his official website, Cameron Crowe helps us prove that screenplays are worth studying by releasing a series of deleted and extended script scenes from the final shooting script of Say Anything…, dated 1/18/88. Among the goodies: the only scene in which Lloyd Dobler utters the title of the movie.
Permanent link to this article: https://www.screenplayology.com/2011/08/31/cameron-crowe-releases-deleted-and-extended-script-scenes-from-say-anything/
This draft of E.T.: The Extra-Terrestrial is an excellent starter script for beginners in screenplay studies. In many ways it is the quintessential shooting script, containing lots of revisions, added and omitted scenes, half-filled added pages, and a fair amount of technical comment.
Permanent link to this article: https://www.screenplayology.com/2011/08/28/review-e-t-the-extra-terrestrial-shooting-script-9881/