Andrew Kenneth Gay is an independent filmmaker and visiting instructor of film at the University of Central Florida, where he has taught Script Analysis for several years, along with such classes as Foundations of Story, Writing for Film & Television, Screenplay Development, and Adaptation. He has also taught screenwriting with the New York Film Academy. He is an accomplished writer/director, having won awards for two of his short films, and is currently completing post-production work on his first feature film, A BEAUTIFUL BELLY. He has an MFA in Film & Digital Media, a BFA in Film Production, and a BA in English Lit and Philosophy/Religion.
Earlier I posted about the Veronica Mars Kickstarter campaign that show creator Rob Thomas launched this morning to fund a movie continuation of the TV heroine’s story. Well, that post’s already dreadfully outdated.
Permanent link to this article: https://www.screenplayology.com/2013/03/13/update-veronica-mars-and-the-future-of-lean-film-development/
As I type this, the numbers are skyrocketing. Veronica Mars creator Rob Thomas launched a $2,000,000 Kickstarter campaign hours ago, and more than 10,000 rabid fans have already sent him well past the 1/3rd mark. We all know that Kickstarter has changed the way independent filmmakers raise production funds. What’s revolutionary here is that Thomas …
Permanent link to this article: https://www.screenplayology.com/2013/03/13/will-veronica-mars-kickstarter-campaign-change-film-financing-forever/
Permanent link to this article: https://www.screenplayology.com/2013/02/19/john-august-links-to-us-so-we-return-the-favor/
Permanent link to this article: https://www.screenplayology.com/2013/02/16/harrison-fords-raiders-script/
Permanent link to this article: https://www.screenplayology.com/2013/02/16/vanity-fair-will-the-spec-script-rise-again/
Permanent link to this article: https://www.screenplayology.com/2013/02/05/could-validation-board-lead-to-better-screen-stories/
Lately I’ve been thinking about the screenplay as a kind of software and have turned to certain software development processes in search of models for alternative methods of screenplay development (particularly for microbudget features). I see many commonalities between programming and screenwriting (“A computer script is a list of commands that are executed by a …
Permanent link to this article: https://www.screenplayology.com/2013/02/03/should-we-build-movies-like-we-build-houses/
This week saw the release John August’s new (free) typeface, Courier Prime: By standardizing around one typeface set at a specific size, we can take advantage of some rules-of-thumb. For example, one page of screenplay (roughly, sometimes) equals one minute of screen time. More importantly, producers can be assured that a 119-page draft really is …
Permanent link to this article: https://www.screenplayology.com/2013/02/02/john-augusts-courier-prime/
The New York Times has posted this piece today that tackles the question of writing credits in documentary filmmaking. “While a documentarian taking a writing credit for narration rarely raises eyebrows, nonfiction filmmakers are also beginning to consider the behind-the-scenes structuring of their films to be a type of writing. The trend, which is being …
Permanent link to this article: https://www.screenplayology.com/2012/08/24/nytimes-writing-documentaries/
After 50 years at the top of Sight & Sound‘s list of all-time greatest films, Citizen Kane has dropped to #2 behind Alfred Hitchcock’s Vertigo. Just for fun I ask, which is the better screenplay?
Permanent link to this article: https://www.screenplayology.com/2012/08/01/vertigo-ousts-kane-but-which-is-the-better-screenplay/