Lately I’ve been thinking about the screenplay as a kind of software and have turned to certain software development processes in search of models for alternative methods of screenplay development (particularly for microbudget features). I see many commonalities between programming and screenwriting (“A computer script is a list of commands that are executed by a …
Permanent link to this article: http://www.screenplayology.com/2013/02/03/should-we-build-movies-like-we-build-houses/
After 50 years at the top of Sight & Sound‘s list of all-time greatest films, Citizen Kane has dropped to #2 behind Alfred Hitchcock’s Vertigo. Just for fun I ask, which is the better screenplay?
Permanent link to this article: http://www.screenplayology.com/2012/08/01/vertigo-ousts-kane-but-which-is-the-better-screenplay/
Permanent link to this article: http://www.screenplayology.com/2012/07/27/stereographic-screenplays/
Last August, I blogged about a paper I presented to the University Film and Video Association called, “Teaching the Digital Screenplay and Its Role in Conception and Execution.” In that paper I began to use the term “Screenwriting 2.0” to refer to the application of Web 2.0 principles and processes to the craft of screenwriting.
Permanent link to this article: http://www.screenplayology.com/2012/07/25/more-screenwriting-2-0/
Dog Day Afternoon is one of my favorite scripts/movies, so I was sad to hear of Frank Pierson’s passing a few days. One of my colleagues, Jesse Wolfe, was lucky to count Pierson as a mentor at AFI and had this to say: He was imposing and made us all quake in our boots when …
Permanent link to this article: http://www.screenplayology.com/2012/07/25/dog-days-frank-pierson-dies-nyt-obit/
Unforgiven, originally written by David Webb Peoples in 1976 as The William Munny Killings, effectively flips the moral conventions of the 1950s era classical Western genre (typified by such screenplays as High Noon), by asking the audience to invest in an outlaw’s efforts against an unsympathetic lawman.
Permanent link to this article: http://www.screenplayology.com/2011/09/12/review-unforgiven-unspecified-shooting-script-1992/
Butch Cassidy and the Sundance Kid is William Goldman’s first original screenplay. A Western script written in the late-1960s, its style and format nevertheless has more in common with the continuities of the silent era than with other screenplays available from Goldman’s period. This may not be coincidence.
Permanent link to this article: http://www.screenplayology.com/2011/09/01/review-butch-cassidy-and-the-sundance-kid-shooting-script-71568/
Over at his official website, Cameron Crowe helps us prove that screenplays are worth studying by releasing a series of deleted and extended script scenes from the final shooting script of Say Anything…, dated 1/18/88. Among the goodies: the only scene in which Lloyd Dobler utters the title of the movie.
Permanent link to this article: http://www.screenplayology.com/2011/08/31/cameron-crowe-releases-deleted-and-extended-script-scenes-from-say-anything/
This draft of E.T.: The Extra-Terrestrial is an excellent starter script for beginners in screenplay studies. In many ways it is the quintessential shooting script, containing lots of revisions, added and omitted scenes, half-filled added pages, and a fair amount of technical comment.
Permanent link to this article: http://www.screenplayology.com/2011/08/28/review-e-t-the-extra-terrestrial-shooting-script-9881/
I recently traveled to Boston in order to attend the annual University of Film and Video Association conference, where I offered a presentation called “Teaching the Digital Screenplay and Its Role in Conception and Execution.” The presentation was well-received, and I’m in the process of developing it into a formal paper I hope to publish. …
Permanent link to this article: http://www.screenplayology.com/2011/08/20/notes-on-ufva-presentation/